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1. #Guitarists who used the eventide h910 or h949 install#
2. #Guitarists who used the eventide h910 or h949 mod#
3. #Guitarists who used the eventide h910 or h949 manual#
4. #Guitarists who used the eventide h910 or h949 software#
5. #Guitarists who used the eventide h910 or h949 windows#

On the left side of the main display are the Threshold, Attack and Release settings. At the top of the UI is a preset browser, a Compare button (switches back to the original preset sound), access to the manual, and an option to display values for each control. The hardware unit was originally produced between 19.Īfter you have Omnipressor loaded on a track, the display is (for the most part) straightforward. It can also be used for expansion and limiting, and an external sidechain option is available. It can be used as a noise gate or to reverse the signal’s dynamics. Originally created by Richard Factor of Eventide, Omnipressor is quite a useful compressor with a few tricks up its sleeves. From there you can set the input gain, switch the sync to host on/off, re-trigger for the LFO, Age setting (dial in a simulated amount of aging for the electrical components), feedback amount, sidechain option (uses the envelope follower) and an output setting. As far as I could tell, it has the same end result as using the first control (on the left side) that bypasses the effect in the first place.īelow the main display is the Expansion panel that includes some useful settings.

#Guitarists who used the eventide h910 or h949 mod#

There is an on/off switch in this mod source section that I was curious about. The last control is where you’d set the modulation source for the previously mentioned types. Using it this way, the phase shift is affected automatically by the amount of the input signal.

Next is a simple envelope follower with its Threshold and Release settings.

#Guitarists who used the eventide h910 or h949 manual#

Towards the center is a manual control which lets you change the phase control yourself, similar to the Remote setting (minus the mod wheel of course). The Oscillator setting is for adjusting the speed of the LFO (0.01Hz to 20Hz) which in turn controls the phaser’s speed. The Remote setting allows you to control the phase shift with the mod wheel of your MIDI keyboard. On the left side of the main display is a bypass control and to its right is a Depth (wet/dry mix) setting. The Wide setting gives it more of a stereo/widening effect. Over to the right is a mode setting which changes the amount of phase shift sections that will be used. Like many of their other plugins, you have probably heard its effect on famous recordings produced in the 1970s and 1980s.Īlong the top of the GUI is a preset browser, a Compare button (switches back to the original preset sound) access to the manual, and an option to display values for each control. The original hardware was released in 1971 and used analog all-pass filters to emulate the effect of tape flanging, but it ended up having its own special sound. This is one of the easiest to use plugins within this collection and its sound has a unique depth all its own. I already had the SP2016 reverb installed, so I unchecked that selection and continued with the rest of the collection.

#Guitarists who used the eventide h910 or h949 install#

You can find my full review of that plugin here.ĭuring the install you will have a few selections to choose from, such as the formats to install (AAX, VST2, VST3, etc.), what directory they should be installed to, and which of the eight plugins should be installed. For that reason, I won’t be including it here for this article. I previously covered the SP2016 reverb in a past issue of SoundBytes Magazine. An iLok account is required, but you don’t need a physical dongle. Most major plugin format types are available.

#Guitarists who used the eventide h910 or h949 windows#

The system requirements for the Clockworks Bundle are Windows 8+ (32-bit and 64-bit), OS X 10.9+ (64-bit only). That way you can have two copies of the same effect running in parallel within just one plugin, giving you even more power when needed. Also included are dual versions for the H910 and H949. Instant Phaser, Omnipressor, H910 Harmonizer, Instant Flanger, H949 and SP2016 reverb. It contains a powerful set of plugin emulations of their iconic hardware unit counterparts: For this issue we’ll take a look at their latest collection: the Clockworks Bundle.

Some of those include Crystals, SP2016, Quadravox, Blackhole and Ultratap.

#Guitarists who used the eventide h910 or h949 software#

We have reviewed many software products from Eventide in past issues of SoundBytes Magazine. As home computers became even more powerful, they developed the ideas behind some of their hardware products for use within the software arena. Eventide has also produced high-quality delays, reverbs and other products. In the 1980s they announced their diatonic pitch-shifting H3000 effect unit. Back in the 1970s they released the H910 harmonizer that utilized pitch shifting, delay and feedback regeneration. Eventide is one of the most highly regarded developers of music recording products.